1001 Movies You Must See...1995-Now

Twelve-year-old Dawn Wiener (Heather Matarazzo) is perhaps the most put-upon adolescent in film history in Todd Solondz's bitterly hilarious black comedy Welcome to the Dollhouse. Dawn is bright but awkward, both physically and socially, and is appallingly unpopular among her peers, to whom she's better known as "Wienerdog." Possessing little charm or grace and perhaps the most misguided fashion sense of her generation, Dawn is not an easy girl to like and practically no one seems interested in making the effort. If life is tough for Dawn at school, it's hardly any better at home. While her folks dote on her gratingly cute younger sister Missy (Daria Kalinina) and look with pride to her bookish older brother Mark (Matthew Faber), Dawn is either ignored or treated as an annoyance. Dawn has developed a crush on Steve (Eric Mabius), the hunky guitarist Mark has drafted into his rock band (significantly, Mark is less interested in making cool noise or unloading teenage angst than in having another extracurricular activity to put on his college applications); Steve is polite but obviously not interested in her. However, Dawn has attracted the attention of a boy at school -- Brandon (Brendan Sexton), a mean-spirited junior thug whose idea of a good time is threatening Dawn with rape. A painfully accurate account of life in junior high (what Matt Groening called "the lowest pit of hell"), Welcome to the Dollhouse is also very funny, but writer and director Todd Solondz never lets the film's humor dilute the agony of its leading character; anyone who has ever been 12 years old will doubtless laugh at Dawn while uncomfortably recalling the horror of their own preteen years. ~ Mark Deming, All Movie Guide

The inner-workings of a corrupt Las Vegas casino are exposed in Martin Scorsese's story of crime and punishment. The film chronicles the lives and times of three characters: "Ace" Rothstein (Robert De Niro), a bookmaking wizard; Nicky Santoro (Joe Pesci), a Mafia underboss and longtime best friend to Ace; and Ginger McKenna (Sharon Stone, in a role she was born to play), a leggy ex-prostitute with a fondness for jewelry and a penchant for playing the field. Ace plays by the rules (albeit Vegas rules, which, as he reminds the audience in voiceover, would make him a criminal in any other state), while Nicky and Ginger lie, cheat, and steal their respective ways to the top. The film's first hour and a half details their rise to power, while the second half follows their downfall as the FBI, corrupt government officials, and angry mob bosses pick apart their Camelot piece by piece. ~ Jeremy Beday, All Movie Guide

Jane Austen might never have imagined that her 1816 novel Emma could be turned into a fresh and satirical look at ultra-rich teenagers in a Beverly Hills high school. Cher (Alicia Silverstone) and Dionne (Stacey Dash), both named after "great singers of the past that now do infomercials," are pampered upper-class girls who care less about getting good grades than wearing the right clothes and being as popular as possible. But Cher, who lives with her tough yet warm-hearted lawyer dad (Dan Hedaya) and hunky, sensitive stepbrother (Paul Rudd), also has an innate urge to help those less fortunate -- like the two introverted teachers she brings together ("negotiating" herself improved grades in the process) and new friend Tai (Brittany Murphy), who starts out a geek and ends up a Cher prodigy. Cher also possesses her own sensitive side, and she is looking for the perfect boyfriend, whom she ends up finding where she least expected. ~ Don Kaye, All Movie Guide

A Brooklyn cigar shop is the setting for this drama from director Wayne Wang that interweaves the stories of several characters that have fractured family relationships in common. Harvey Keitel is Auggie Wren, poetic owner of the Brooklyn Cigar Company, a store that he considers the center of the world -- a place where all of humanity eventually parades through. One of his regular customers is Paul Benjamin (William Hurt), a writer and a broken shell of a man whose pregnant wife was shot and killed near the store. When Paul's life is saved one day by a young black man named Rashid (Harold Perrineau, Jr., the writer and his rescuer strike up a friendship and begin searching for Rashid's long-lost father (Forest Whitaker). At the store, Auggie is surprised by the appearance of Ruby (Stockard Channing), an ex-girlfriend who informs him that her pregnant, drug-addicted daughter Felicity (Ashley Judd) may also be his -- and is in dire need of help. Screenwriter Paul Auster based the script for Smoke on a 1990 short story he wrote for "The New York Times." He also wrote and directed the film's sequel (of sorts), Blue in the Face (1995). ~ Karl Williams, All Movie Guide

Director David Fincher's dark, stylish thriller ranks as one of the decade's most influential box-office successes. Set in a hellish vision of a New York-like city, where it is always raining and the air crackles with impending death, the film concerns Det. William Somerset (Morgan Freeman), a homicide specialist just one week from a well-deserved retirement. Every minute of his 32 years on the job is evident in Somerset's worn, exhausted face, and his soul aches with the pain that can only come from having seen and felt far too much. But Somerset's retirement must wait for one last case, for which he is teamed with young hotshot David Mills (Brad Pitt), the fiery detective set to replace him at the end of the week. Mills has talked his reluctant wife, Tracy (Gwyneth Paltrow), into moving to the big city so that he can tackle important cases, but his first and Somerset's last are more than either man has bargained for. A diabolical serial killer is staging grisly murders, choosing victims representing the seven deadly sins. First, an obese man is forced to eat until his stomach ruptures to represent gluttony, then a wealthy defense lawyer is made to cut off a pound of his own flesh as penance for greed. Somerset initially refuses to take the case, realizing that there will be five more murders, ghastly sermons about lust, sloth, pride, wrath, and envy presented by a madman to a sinful world. Somerset is correct, and something within him cannot let the case go, forcing the weary detective to team with Mills and see the case to its almost unspeakably horrible conclusion. The moody photography is by Darius Khondji; the nauseatingly vivid special effects are by makeup artist Rob Bottin, best known for more fantasy-oriented work in films like The Howling (1981). ~ Robert Firsching, All Movie Guide

Scream is at once a slasher film and a tongue-in-cheek position paper on the "dead teenagers" movies of the late 1970s/early 1980s that plays as half-parody, half-tribute. Sydney Prescott (Neve Campbell) is having a rough time lately: she's still getting over the brutal rape and murder of her mother a year ago, and now one of her friends (Drew Barrymore) has been killed by a lunatic who harassed her with terrifying phone calls, then stabbed her to death while wearing a Halloween costume. Soon Sydney is receiving similar phone calls, quizzing her on the arcane details of such films as Friday the 13th and Prom Night, and is attacked by the same cloaked maniac. With her father missing, she has hardly anyone on her side except her best friend Tatum (Rose McGowan) and Tatum's brother Dewey (David Arquette), a half-bright cop. As for the murderer, it could be any number of people: Syd's father; her cute but overly intense boyfriend Billy (Skeet Ullrich); Tatum's goofball boyfriend Stuart (Matthew Lillard); or Randy (Jamie Kennedy), who works at the local video store and seems to like horror movies just a little too much. Much like Halloween, Scream spawned a series of sequels and inspired a large number of similar films -- its original working title, Scary Movie, became the title of the 2000 parody film by Damon Wayans. ~ Mark Deming, All Movie Guide

Reminiscent of a fine novel in depth and complexity, writer-director John Sayles' acclaimed drama uses the investigation of a 25-year-old murder as the framework for a detailed exploration of life in a Texas border town. The nominal center of the film is Sheriff Sam Deeds (the superb, subtle Chris Cooper), the chief law officer of the town of Frontera. The low-key Sam is also the son of the late Buddy Deeds (played in flashbacks by Matthew McConaughey), who also served as town sheriff and still maintains a legendary status for ousting the vicious, corrupt Charlie Wade (a memorably vicious Kris Kristofferson). The discovery of Wade's decades-old skeleton, however, calls this legend into question, and forces Sam to begin an investigation. During this search for the truth, Sam must come to terms with his own troubled emotions about his father and his still-lingering romantic feelings for Pilar (Elizabeth Peña), a Hispanic woman that Buddy had prevented him from seeing as a young man. Lone Star's scope encompasses not only this story but the whole town, addressing Pilar's difficulties as a schoolteacher, the conflict between incoming immigrants and border patrol officers, and the troubles faced by the African-American commander of the local military base. Sayles expertly moves between past and present, weaving his stories together to illustrate, as in his earlier City of Hope (1991), how the seemingly disparate parts of a community are in fact intimately interconnected. Raising issues of race, politics, and identity, Lone Star nevertheless focuses most of its attention on its complex, believable characters, well-performed by an excellent ensemble cast. One of the most financially successful of Sayles' low-key movies, Lone Star received glowing notices and an Academy Award nomination for Best Original Screenplay. ~ Judd Blaise, All Movie Guide

A family is forced to confront the personal issues they've been avoiding for years in this powerful, realistic drama. Cynthia (Brenda Blethyn) is a working-class British woman whose life has been a long series of painful disappointments. She's single with no romantic prospects and a dead-end job at a box factory. Her daughter Roxanne (Claire Rushbrook) works as a street sweeper and is chronically bitter. Cynthia helped raise her brother, Maurice (Timothy Spall), who is doing well as a photographer, but she rarely sees him and usually blames his wife, Monica (Phyllis Logan). One day, Cynthia receives a phone call from a woman named Hortense (Marianne Jean-Baptiste), who claims to be the daughter Cynthia put up for adoption years ago. Cynthia initially reacts with panic, but she agrees to meet Hortense and is surprised to discover that she's a successful and soft-spoken eye doctor -- and that she's black. Cynthia is soon convinced that Hortense is just who she claims to be, and they quickly form a friendship that gives Cynthia a new source of emotional strength. However, when Cynthia decides to introduce the family to her new "friend," it forces them to confront the lies and evasions that have kept them apart all these years. Largely improvised by director Mike Leigh and his cast, Secrets & Lies features standout work by Brenda Blethyn (who earned an Academy Award nomination as Best Actress), Marianne Jean-Baptiste (who was nominated as Best Supporting Actress), and Timothy Spall. ~ Mark Deming, All Movie Guide

Filmmaking siblings Joel Coen and Ethan Coen both embraced and poked satirical fun at their rural Minnesota roots with this comedy-drama-thriller that earned seven Oscar nominations, winning for Best Actress and Best Original Screenplay. Frances McDormand stars as Marge Gunderson, a pregnant police chief whose affable, folksy demeanor masks a whip-smart mind. When a pair of motorists are found slain not far from the corpse of a state trooper, Marge begins piecing together a case involving a pair of dopey would-be kidnappers, Carl (Steve Buscemi) and Gaear (Bergman stock player Peter Stormare). They've been hired by Jerry Lundegaard (William H. Macy), a car salesman under the thumb of his wealthy, overbearing boss and father-in-law, Wade (Harve Presnell). Jerry's raised some money illegally through a petty scam he's run on General Motors and he's about to get caught. When Wade sours a business deal that could save his son-in-law's hide, the desperate Jerry hires Carl and Gaear to kidnap his wife and hold her for ransom. Things go predictably wrong and a series of murders occur, with Marge, waddling along behind her enormous belly and ever-hungering for an all-you-can-eat buffet, hot on the trail of the killers. Although the credits for Fargo state that the film is loosely based on real events, the story is entirely fictional, the claim being just an ironic jibe on the part of the Coens. ~ Karl Williams, All Movie Guide

Character actor Steve Buscemi made his debut as a writer and director with this seriocomic tale of a guy who is going through something but doesn't know just what it is. Tommy is a 31-year-old auto mechanic who lost his last job after "borrowing" 1,500 dollars from the cash register and heading to Atlantic City, where he wasted no time losing it all at the tables. The fact that he can't get his own car to run isn't impressing any prospective employers, so Tommy spends much of his time at the Trees Lounge, a local watering hole conveniently located downstairs from his apartment. Eventually Tommy lands some work driving an ice cream truck and becomes acquainted with his ex-girlfriend's 17-year-old niece, Debbie (Chloë Sevigny). When they half-heartedly fall into a romance, it's just one more thing for Tommy to be confused about. Buscemi draws upon a rich cast of supporting actors, including Elizabeth Bracco, Anthony LaPaglia, Carol Kane, Debi Mazar, Samuel L. Jackson, and Mimi Rogers. ~ Mark Deming, All Movie Guide

This spectacular epic re-creates the ill-fated maiden voyage of the White Star Line's $7.5 million R.M.S Titanic and the tragic sea disaster of April 15, 1912. Running over three hours and made with the combined contributions of two major studios (20th Century-Fox, Paramount) at a cost of more than $200 million, Titanic ranked as the most expensive film in Hollywood history at the time of its release, and became the most successful. Writer-director James Cameron employed state-of-the-art digital special effects for this production, realized on a monumental scale and spanning eight decades. Inspired by the 1985 discovery of the Titanic in the North Atlantic, the contemporary storyline involves American treasure-seeker Brock Lovett (Bill Paxton) retrieving artifacts from the submerged ship. Lovett looks for diamonds but finds a drawing of a young woman, nude except for a necklace. When 102-year-old Rose (Gloria Stuart) reveals she's the person in the portrait, she is summoned to the wreckage site to tell her story of the 56-carat diamond necklace and her experiences of 84 years earlier. The scene then shifts to 1912 Southampton where passengers boarding the Titanic include penniless Jack Dawson (Leonardo DiCaprio) and society girl Rose DeWitt Bukater (Kate Winslet), returning to Philadelphia with her wealthy fiance Cal Hockley (Billy Zane). After the April 10th launch, Rose develops a passionate interest in Jack, and Cal's reaction is vengeful. At midpoint in the film, the Titanic slides against the iceberg and water rushes into the front compartments. Even engulfed, Cal continues to pursue Jack and Rose as the massive liner begins its descent.

Cameron launched the project after seeing Robert Ballard's 1987 National Geographic documentary on the wreckage. Blueprints of the real Titanic were followed during construction at Fox's custom-built Rosarito, Mexico studio, where a hydraulics system moved an immense model in a 17-million-gallon water tank. During three weeks aboard the Russian ship Academik Keldysh, underwater sequences were filmed with a 35mm camera in a titanium case mounted on the Russian submersible Mir 1. When the submersible neared the wreck, a video camera inside a remote-operated vehicle was sent into the Titanic's 400-foot bow, bringing back footage of staterooms, furniture and chandeliers. On November 1, 1997, the film had its world premiere at the 10th Tokyo International Film Festival. ~ Bhob Stewart, All Movie Guide

The line between dreams and reality become increasingly blurred after a womanizing playboy is nearly killed by a jilted lover in Spanish director Alejandro Amenabar's masterful sophomore effort Abre Los Ojos (Open Your Eyes). It would seem as if Cesar (Eduardo Noriega) has it all. Handsome, charming, and with money to burn, he can get any girl he wants, and usually does so on a nightly basis. Following a birthday party in which he chats up Sofia (Penelope Cruz), the date of his best friend Pelayo (Fele Martinez), Cesar is plunged headfirst into a nightmare world when jealous former lover Nuria (Najwa Nimri) swallows a handful of pills and sends her car careening into a cement wall with the terrified playboy as her hapless passenger. With his formerly strikingly handsome face now twisted into a hideous mass of scarred flesh, Cesar's ugly emotions are now externalized for all to see. Pining for a plastic-surgery miracle to return him to his former glory so that he can seek out Sofia and take a chance at real love, he is pleasantly surprised when the doctors make a breakthrough and Sofia accepts him back into her life. Although all seems perfect for the moment, the formerly soulless player finds that this is only the beginning of his increasingly disturbing journey. Why is Sofia changing appearance and turning into Nuria periodically? And why won't the police and his psychiatrist believe Cesar's desperate attempts to rationalize a world that is growing increasingly surreal? Could it have something to do with a doctor Cesar has seen on television who keeps appearing and attempting to help him out of his nightmare? Peeling away at the layers of his subconscious, Cesar begins to realize that reality is no more than a state of mind, and that in order to get his life back he may be forced to take unthinkable measures. ~ Jason Buchanan, All Movie Guide